Change of address
When Richard reached this point, he would look toward the back of the room and catch my eye and smile. He knew that I knew what was in store for the students at the end of the semester. After they'd read the paper and survived the labs where fruit flies bred in tubes and displayed the principles of Mendelian inheritance, Richard would tell them the other Mendel story. The one I told him, in which Mendel is led astray by a condescending fellow scientist and the behavior of the hawkweeds. The one in which science is not just unappreciated, but bent by loneliness and longing.
Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows -- only hard and with luminous edges -- and you will then have a pretty correct notion of my country and countrymen.
"Pardon me," said I, "O Thou Whom I must no longer address as the Perfection of all Beauty; but let me beg thee to vouchsafe thy servant a sight of thine interior.
SPHERE. My what?
I. Thine interior: thy stomach, thy intestines.
SPHERE. Whence this ill-timed impertinent request?
[S]he dragged the bear's hide out to the picnic table and sat in the sun working the flesh off it with the ulu Sess had given her for a birthday present. The ulu was an Inuit tool, a bone handle attached to a crescent-shaped blade, and it was ideal for scraping hides, a task she guessed she would be performing pretty regularly as the winter months came on and her husband brought her the stiffened corpses of whatever he'd managed to kill out there in the secret recesses of the country. And how did she feel about that -- how did she feel about this, about this stinking, flea-and-tick-ridden hide under the knife right here and now in a hurricane of flies and the blood and grease worked up under her nails and into every least crease and line of her hands so that she'd never get the smell out? . . . She slapped a mosquito on her upper arm and the imprint of her hand was painted there in bear's blood. She flicked flies out of her face.Nice, huh? And here's how it is on the hippie side:
People were scattered around the room in a funk of unwashed clothes and matted hair, down, dejected, disheveled, the energy level hovering around zero -- they didn't even look as if they'd be able to lift the forks to their mouths come dinner, and Star had a brief fantasy of feeding them all by hand, then changing their diapers and putting them to bed one after the other. It was depressing. When they spoke, it was in a whisper, as if nobody really wanted to express their thoughts aloud, and the cramped space of the meeting hall buzzed with an insectoid rasp of timbreless voices sawing away at the fabric of the afternoon.This book was simultaneously fascinating and painful to read. The characters were, for the most part, stagnant. Star, the hippie female protagonist, grew and learned a little bit through her travails, but not enough to make it really worthwhile. Pamela, Star's survivalist counterpart -- and the book is neatly organized with good guy-bad guy and romantic couple mirror-images on both sides -- is just not believable. Both good guys have uncontrolled tempers (at times) that made me want to slap them. Both bad guys both were classic cases of borderline personality disorder. Yuk.